The Effects Of Food Bank Of New York City s Cookshop...

To: Dr.Diane Harrison, President From: Hana Park Date: November 20, 2014 Subject: APHA Trip Report I have been selected by California State University, Northridge, to attend the annual American Public Health Association (APHA) conference from November 17-18. Through this experience, I have been well informed on topics regarding: effective methods of promoting healthy eating habits in schools, family violence prevention, maternal and child health, and mental health. As a representative, I will report on the various sessions that I have attended and explain how these topics are integral to healthcare issues. 1. Does Selection of Foods in the School Cafeteria by 6-8 Year Olds Translate into Consumption? Results of a cafeteria observation study Discussion: The objective of this study was to examine the effect of the Food Bank of New York City’s CookShop Program on educating nutritional awareness. By using photography, before and after pictures of meals were taken in order to measure the consumption and choosing of various food groups such as fruits, vegetables, whole grains, milk, and protein. The lunch trays of the sample were examined and have shown that children have selected a high percentage of healthy foods in the categories. However, the study has shown that the consumption of the foods is much lower. Therefore, children are subject to choosing a wide variety of healthy food, but do not eat it accordingly. Findings: Due to the fact that childhood obesity is a

Racism And The Social Structures Of Race Essay - 1700 Words

The idea of race has been constructed over hundreds of years, with numerous cultural implications arising from this construction. Since Johann Fredrich Blumenbach’s racial hierarchy, the inventor of a â€Å"†¦modern racial classification (Gould 1994:66), the idea of race as a scientific truth justified slavery, colonisation and other existing racial structures. We see these racial hierarchies with notions of white superiority affecting events around the globe everyday; regardless of the fact that race has been proven as a flawed biological concept, with racial categories a result of ‘pseudo science’. The events following Hurricane Katrina in 2005 are evidence of the racist attitudes that linger in our society, institutionally and in everyday life – racism is more than simply individual attitudes, and is embedded in the social structures of society. The idea of race has been disproved due to lack of genetic variation within humans. There are not genetically distinguishable differences between humans, contradicting the idea there are subspecies as suggested by Carl Linnaeus’ theory of racial taxonomy (later taken up by Blumenbach in 1779 and expanded upon to categorise five races instead of four). Subspecies within the human race would require much greater genetic variation between ‘races’, whereas it has been determined that there is more genetic variation within a group of people than between groups of people. This can be attributed to the amount of time homo sapiens haveShow MoreRelatedStructural Or Institutional Racism Is Formed By The Social, Economic, Political Or Educational Forces Essay1063 Words   |  5 Pagesinstitutional racism is formed by the social, economic, political or educational forces that foster discriminatory outcomes or give preference to members of one group over the other deriving it s genesis from the concept of race. 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Although racism is permanently embedded within the United States, working towards social justice is a necessity because it reassures communities facing marginalizationRead MoreOppression Within The Social Workers976 Words   |  4 PagesSocial workers are often on the forefront in the fight against any form of oppression as against the marginalized society. These demanding but oftentimes unappreciated efforts are often addressed through the conscious use of skills and knowledge of the problems being solved against. When such oppression is however commi tted against them within the organization where they work, the social worker seems to be mum about the situation, or their efforts perhaps are rendered inutile. North America socialRead MoreAmerican History And Its Current Setting927 Words   |  4 PagesRace is a central theme in American history and its current setting. Charting back to the 17th century when slavery was introduced to the States, it provided the foundation for wealth and expansion. The racial disparity also provides support for the class system and economic disparity that still exist today. When some used the term racist or racism, the denotation suggest that they are talking on an individual level. The Oxford dictionary regards racism as an individual hate and discrimination againstRead MoreRacial Segregation And The Us Education System Essay1463 Words   |  6 PagesStudents of color in the United States struggle to access higher education, as a result of institutional racism and discrimination. This is troubli ng because college education is considered a way to increase opportunity and chances of success with finding employment and earning a high salary. 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The Vampire Diaries The Fury Chapter Fifteen Free Essays

string(105) " memory of how she had attacked Stefan in the woods, and how she had felt when she was racing toward Mr\." Elena watched Damon with mute dread. She knew that disturbing smile too well. But even as her heart sank, her mind threw a mocking question at her. We will write a custom essay sample on The Vampire Diaries: The Fury Chapter Fifteen or any similar topic only for you Order Now What difference did it make? She and Stefan were going to die anyway. It only made sense for Damon to save himself. And it was wrong to expect him to go against his nature. She watched that beautiful, capricious smile with a feeling of sorrow for what Damon might have been. Katherine smiled back at him, enchanted. â€Å"We’ll be so happy together. Once they’re dead, I’ll let you go. I didn’t mean to hurt you, not really. I just got angry.† She put out a slender hand and stroked his cheek. â€Å"I’m sorry.† â€Å"Katherine,† he said. He was still smiling. â€Å"Yes.† She leaned closer. â€Å"Katherine†¦Ã¢â‚¬  â€Å"Yes, Damon?† â€Å"Go to hell.† Elena flinched from what happened next before it happened, feeling the violent upsurge of Power, of malevolent, unbridled Power. She screamed at the change in Katherine. That lovely face was twisting, mutating into something that was neither human nor animal. A red light blazed in Katherine’s eyes as she fell on Damon, her fangs sinking into his throat. Talons sprang from her fingertips, and she raked Damon’s already-bleeding chest with it, tearing into his skin while the blood flowed. Elena kept screaming, realizing dimly that the pain in her arms was from fighting the ropes that held her. She heard Stefan shouting, too, but above everything she heard the deafening shriek of Katherine’s mental voice. Now you’ll be sorry! Now I’m going to make you sorry! I’ll kill you! I’ll kill you! I’ll kill you! I’ll kill you! The words themselves hurt, like daggers stabbing into Elena’s mind. The sheer Power of it stupefied her, rocking her back against the iron pickets. But there was no way to get away from it. It seemed to echo from all around her, hammering in her skull. Kill you! Kill you! Kill you! Elena fainted. Meredith, crouched beside Aunt Judith in the utility room, shifted her weight, straining to interpret the sounds outside the door. The dogs had gotten into the cellar; she wasn’t sure how, but from the bloody muzzles of some of them, she thought they had broken through the ground-level windows. Now they were outside the utility room, but Meredith couldn’t tell what they were doing. It was too quiet out there. â€Å"Hush,† Robert whispered quickly. â€Å"It’s all right, sweetheart. Everything’s going to be all right.† Meredith met his frightened, determined eyes over Margaret’s tow head. We almost had you pegged for the Other Power, she thought. But there was no time to regret it now. â€Å"Where’s Elena? Elena said she’d watch over me,† Margaret said, her eyes large and solemn. â€Å"She said she’d take care of me.† Aunt Judith put a hand to her mouth. â€Å"She is taking care of you,† Meredith whispered. â€Å"She just sent me to do it, that’s all. It’s the truth,† she added fiercely, and saw Robert’s look of reproach melt into perplexity. Outside, the silence had given way to scratching and gnawing sounds. The dogs were at work on the door. Robert cradled Margaret’s head closer to his chest. Bonnie didn’t know how long they had been working. Hours, certainly. Forever, it seemed like. The dogs had gotten in through the kitchen and the old wooden side doors. So far, though, only about a dozen had gotten past the fires lit like barricades in front of these openings. And the men with guns had taken care of most of those. But Mr. Smallwood and his friends were now holding empty rifles. And they were running out of things to burn. Vickie had gotten hysterical a little while ago, screaming and holding her head as if something was hurting her. They’d been looking for ways to restrain her when she finally passed out. Bonnie went up to Matt, who was looking out over the fire through the demolished side door. He wasn’t looking for dogs, she knew, but for something else much farther away. Something you couldn’t see from here. â€Å"You had to go, Matt,† she said. â€Å"There was nothing else you could do.† He didn’t answer or turn around. â€Å"It’s almost dawn,† she said. â€Å"Maybe when that comes, the dogs will leave.† But even as she said it, she knew it wasn’t true. Matt didn’t answer. She touched his shoulder. â€Å"Stefan’s with her. Stefan’s there.† At last, Matt gave some response. He nodded. â€Å"Stefan’s there,† he said. Brown and snarling, another shape charged out of the dark. It was much later when Elena came gradually to consciousness. She knew because she could see, not just by the handful of candles Katherine had lit but also by the cold gray dimness that filtered down from the crypt’s opening. Damon? she thought. It was only after she had done it that she realized the word had not been spoken. Somehow, Katherine’s shrieking had closed a circuit in her mind, or maybe it had awakened something sleeping. And Matt’s blood had undoubtedly helped, giving her the strength to finally find her mental voice. She turned her head the other way. Stefan? His face was haggard with pain, but aware. Too aware. Elena almost wished that he were as insensible as Damon to what was happening to them. Elena, he returned. Where is she? Elena said, her eyes moving slowly around the room. Stefan looked toward the opening of the crypt. She went up there a while ago. Maybe to check on how the dogs are doing. Elena had thought she’d reached the limit of fear and dread, but it wasn’t true. She hadn’t remembered the others then. Elena, I’m sorry. Stefan’s face was filled with what no words could express. It’s not your fault, Stefan. You didn’t do this to her. She did it to herself. Or-it just happened to her, because of what she is. What we are. Running beneath Elena’s thoughts was the memory of how she had attacked Stefan in the woods, and how she had felt when she was racing toward Mr. You read "The Vampire Diaries: The Fury Chapter Fifteen" in category "Essay examples" Smallwood, planning her revenge. It could have been me, she said. No! You could never become like that. Elena didn’t answer. If she had the Power now, what would she do to Katherine? What wouldn’t she do to her? But she knew it would only upset Stefan more to talk about it. I thought Damon was going to betray us, she said. I did, too, said Stefan queerly. He was looking at his brother with an odd expression. Do you still hate him? Stefan’s gaze darkened. No, he said quietly. No, I don’t hate him anymore. Elena nodded. It was important, somehow. Then she started, her nerves hyper-alert, as something shadowed the entrance to the crypt. Stefan tensed, too. She’s coming. Elena- I love you, Stefan, Elena said hopelessly, as the misty white shape hurtled down. Katherine took form in front of them. Of course, thought Elena. How could I have been so stupid? Damon rode with us in Alaric’s car over the river. He crossed running water then, and probably lots of other times. He couldn’t have been the Other Power. It was strange how she could think even though she was so frightened. It was as if one part of her mind stood watching from a distance. â€Å"I’m going to kill you now,† Katherine said conversationally. â€Å"Then I’m going under the river to kill your friends. I don’t think the dogs have done it yet. But I’ll take care of it myself.† â€Å"Let Elena go,† said Stefan. His voice was quenched but compelling all the same. â€Å"I haven’t decided how to do it,† said Katherine, ignoring him. â€Å"I might roast you. There’s almost enough light for that now. And I’ve got these.† She reached down the front of her gown and brought her closed hand out. â€Å"One-two-three!† she said, dropping two silver rings and a gold one onto the ground. Their stones shone blue as Katherine’s eyes, blue as the stone in the necklace at Katherine’s throat. Elena’s hands twisted frantically and she felt the smooth bareness of her ring finger. It was true. She wouldn’t have believed how naked she felt without that circlet of metal. It was necessary to her life, to her survival. Without it- â€Å"Without these you’ll die,† Katherine said, scuffing the rings carelessly with the toe of one foot. â€Å"But I don’t know if that’s slow enough.† She paced back almost to the far wall of the crypt, her silver dress shimmering in the dim light. It was then that the idea came to Elena. She could move her hands. Enough to feel one with the other, enough to know that they weren’t numb anymore. The ropes were looser. But Katherine was strong. Unbelievably strong. And faster than Elena, too. Even if Elena got free she would have time for only one quick act. She rotated one wrist, feeling the ropes give. â€Å"There are other ways,† Katherine said. â€Å"I could cut you and watch you bleed. I like watching.† Gritting her teeth, Elena exerted pressure against the rope. Her hand was bent at an excruciating angle, but she continued to press. She felt the burn of the rope slipping aside. â€Å"Or rats,† Katherine was saying pensively. â€Å"Rats could be fun. I could tell them when to start and when to stop.† Working the other hand free was much easier. Elena tried to give no sign of what was going on behind her back. She would have liked to call to Stefan with her mind, but she didn’t dare. Not if there was any chance Katherine might hear. but she didn’t dare. Not if there was any chance Katherine might hear. There was a rectangle of gray light on the floor. Dawn light. It was coming in through the crypt’s opening. Katherine had already been out in that light. But†¦ Katherine smiled suddenly, her blue eyes sparkling. â€Å"I know! I’ll drink you almost up and make you watch while I kill her! I’ll leave you just enough strength so you see her die before you do. Doesn’t that sound like a good plan?† Blithely, she clapped her hands and pirouetted again, dancing away. Just one more step, thought Elena. She saw Katherine approach the rectangle of light. Just one more step†¦ Katherine took the step. â€Å"That’s it, then!† She started to turn around. â€Å"What a good-† Now! Yanking her cramped arms out of the last loops of rope, Elena rushed her. It was like the rush of a hunting cat. One desperate sprint to reach the prey. One chance. One hope. She struck Katherine with her full weight. The impact knocked them both into the rectangle of light. She felt Katherine’s head crack against the stone floor. And felt the searing pain, as if her own body had been plunged into poison. It was a feeling like the burning dryness of hunger, only stronger. A thousand times stronger. It was unbearable. â€Å"Elena!† Stefan screamed, with mind and voice. Stefan, she thought. Beneath her Power surged as Katherine’s stunned eyes focused. Her mouth twisted with rage, fangs bursting forth. They were so long they cut into the lower lip. That distorted mouth opened in a howl. Elena’s clumsy hand fumbled at Katherine’s throat. Her fingers closed on the cool metal of Katherine’s blue necklace. With all her strength, she wrenched and felt the chain give way. She tried to clasp it, but her fingers felt thick and uncoordinated and Katherine’s clawing hand scrabbled at it wildly. It spun away into the shadows. â€Å"Elena!† Stefan called again in that dreadful voice. She felt as if her body were filled with light. As if she were transparent. Only, light was pain. Beneath her, Katherine’s warped face was looking up directly into the winter sky. Instead of a howl, there was a shrieking that went up and up. Elena tried to lift herself off, but she didn’t have the strength. Katherine’s face was rifting, cracking open. Lines of fire opened in it. The screaming reached a crescendo. Katherine’s hair was aflame, her skin was blackening. Elena felt fire from both above and below. She saw Stefan’s arms, red where they had been exposed to the sun and bleeding where he had torn free of his ropes. She saw his face, saw the stricken horror and grief. Then her eyes blurred and she saw nothing. Meredith and Robert, striking at the blood-soaked muzzles that thrust through the hole in the door, paused in confusion. The teeth had stopped snapping and tearing. One muzzle jerked and slid out of the way. Edging sideways to look at the other, Meredith saw that the dog’s eyes were glazed and milky. They didn’t move. She looked at Robert, who stood panting. There was no more noise from the cellar. Everything was silent. But they didn’t dare to hope. Vickie’s demented shrieking stopped as if it had been cut with a knife. The dog, which had sunk its teeth into Matt’s thigh, stiffened and gave a convulsive shudder; then, its jaws released him. Gasping for breath, Bonnie swung to look beyond the dying fire. There was just enough light to see bodies of other dogs lying where they had fallen outside. She and Matt leaned on each other, looking around, bewildered. It had finally stopped snowing. Slowly, Elena opened her eyes. Everything was very clear and calm. She was glad the shrieking was over. That had been bad; it had hurt. Now, nothing hurt. She felt as if her body were filled with light again, but this time there was no pain. It was as if she were floating, very high and easy, on wafts of air. She almost felt she didn’t have a body at all. She smiled. Turning her head didn’t hurt, although it increased the loose, floating feeling. She saw, in the oblong of pale light on the floor, the smoldering remains of a silvery dress. Katherine’s lie of five hundred years ago had become the truth. That was that, then. Elena looked away. She didn’t wish anyone harm now, and she didn’t want to waste time on Katherine. There were so many more important things. â€Å"Stefan,† she said and sighed, and smiled. Oh, this was nice. This must be how a bird felt. â€Å"I didn’t mean for things to turn out this way,† she said, softly rueful. His green eyes were wet. They filled again, but he returned her smile. â€Å"I know,† he said. â€Å"I know, Elena.† It seemed to her that it had been a long while since she’d really looked at him. Since she’d taken time to appreciate how beautiful he was, with his dark hair and his eyes as green as oak leaves. But she saw it now, and she saw his soul shining through those eyes. It was worth it, she thought. I didn’t want to die; I don’t want to now. But I’d do it all over again if I had to. â€Å"I love you,† she whispered. â€Å"I love you,† he said, squeezing their joined hands. The strange, languorous lightness cradled her gently. She could scarcely feel Stefan holding her. She would have thought she’d be terrified. But she wasn’t, not as long as Stefan was there. â€Å"The people at the dance-they’ll be all right now, won’t they?† she said. â€Å"They’ll be all right now,† Stefan whispered. â€Å"You saved them.† â€Å"I didn’t get to say good-bye to Bonnie and Meredith. Or Aunt Judith. You have to tell them I love them.† â€Å"I’ll tell them,† Stefan said. â€Å"You can tell them yourself,† panted another voice, hoarse and unused sounding. Damon had pulled himself across the floor behind Stefan. His face was ravaged, streaked with blood, but his dark eyes burned at her. â€Å"Use your will, Elena. Hold on. You have the strength-â€Å" She smiled at him, waveringly. She knew the truth. What was happening was only finishing what had been started two weeks ago. She’d had thirteen days to get things straight, to make amends with Matt and say good-bye to Margaret. To tell Stefan she loved him. But now the grace period was up. Still, there was no point in hurting Damon. She loved Damon, too. â€Å"I’ll try,† she promised. â€Å"We’ll take you home,† he said. â€Å"But not yet,† she told him gently. â€Å"Let’s wait just a little while.† Something happened in the fathomless black eyes, and the burning spark went out. Then she saw that Damon knew, too. â€Å"I’m not afraid,† she said. â€Å"Well-only a little.† A drowsiness had started, and she felt very comfortable, but as if she were falling asleep. Things were drifting away from her. An ache rose in her chest. She was not much afraid, but she was sorry. There were so many things she would miss, so many things she wished she had done. â€Å"Oh,† she said softly. â€Å"How funny.† underground room. Only this was a doorway into a different light. â€Å"How beautiful,† she murmured. â€Å"Stefan? I’m so tired.† â€Å"You can rest now,† he whispered. â€Å"You won’t let go of me?† â€Å"No.† â€Å"Then I won’t be afraid.† Something was shining on Damon’s face. She reached toward it, touched it, and lifted her fingers away in wonder. â€Å"Don’t be sad,† she told him, feeling the cool wetness on her fingertips. But a pang of worry disturbed her. Who was there to understand Damon now? Who would be there to push him, to try to see what was really inside him? â€Å"You have to take care of each other,† she said, realizing it. A little strength came back to her, like a candle flaring in the wind. â€Å"Stefan, will you promise? Promise to take care of each other?† â€Å"I promise,† he said. â€Å"Oh, Elena†¦Ã¢â‚¬  Waves of sleepiness were overcoming her. â€Å"That’s good,† she said. â€Å"That’s good, Stefan.† The doorway was closer, so close she could touch it now. She wondered if her parents were somewhere behind it. â€Å"Time to go home,† she whispered. And then the darkness and the shadows faded and there was nothing but light. Stefan held her while her eyes closed. And then he just held her, the tears he’d been keeping back falling without restraint. It was a different pain than when he’d pulled her out of the river. There was no anger in this, and no hatred, but a love that seemed to go on and on forever. It hurt even more. He looked at the rectangle of sunlight, just a step or two away from him. Elena had gone into the light. She’d left him here alone. Not for long, he thought. His ring was on the floor. He didn’t even glance at it as he rose, his eyes on the shaft of sunlight shining down. A hand grabbed his arm and pulled him back. Stefan looked into his brother’s face. Damon’s eyes were dark as midnight, and he was holding Stefan’s ring. As Stefan watched, unable to move, he forced the ring onto Stefan’s finger and released him. yours, too. Take it. Take it and go.† He turned his face away. Stefan gazed at the golden circlet in his palm for a long time. Then his fingers closed over it and he looked back at Damon. His brother’s eyes were shut, his breathing labored. He looked exhausted and in pain. And Stefan had made a promise to Elena. â€Å"Come on,† he said quietly, putting the ring in his pocket. â€Å"Let’s get you some place where you can rest.† He put an arm around his brother to help him up. And then, for a moment, he just held on. How to cite The Vampire Diaries: The Fury Chapter Fifteen, Essay examples

Symbolism In Good Country Peop Essay Research free essay sample

Symbolism In Good Country Peop Essay, Research Paper Symbolism IN GOOD COUNTRY PEOPLE Symbolism plays a major function in Flannery O Connor s narrative, Good State Peoples. Multiple objects that are presented in the narrative appear ab initio to be simply props, but the reader ulterior discovers these props to really be highly of import and necessary to the kineticss of the narrative. These props, or objects, symbolically stand for the personalities of the characters who possess and/or use them. One such object in the narrative is the wooden leg of Hulga. When the wooden leg is introduced into the narrative, the reader is compelled to experience sympathy and commiseration for Hulga due to the fortunes asking the wooden leg. It is mentioned briefly, with small description, that the leg was literally blown off in a hunting accident. This sounds awful, and is tragic, but what is even more tragic is the manner Hulga uses the wooden leg as a tool for pull stringsing state of affairss to accommodate her. An illustration of this is when she stomps through the house, intentionally doing a loud ugly-sounding noise. Hulga s physical disablement, and usage of the wooden leg, symbolizes her as a whole. More specifically, the leg is strong yet weak at the same clip, as Hulga appears strong to others, but in world is vulnerable. The leg is strong, non merely because of the obvious fact- it is made from wood, but because it provides Hulga with support, or in other words, a crutch. At the same clip, nevertheless, it is weak because if removed, it would merely be nil more than a piece of wood. And, in fact, the wooden leg does finally turn out its failing in the narrative. In one second, the wooden leg goes from being a leg, a cardinal agency of support, to nil except a piece of wood. At the same minute the leg is removed, Hulga herself goes from being a strong personality, to a cripple imploring for clemency. Other objects in the narrative that have symbolic significance are the eggs that Hulga cooks for breakfast. It is stated in the narrative that Hulga puts her eggs on the range to boil, and so she stands over them with her weaponries crossed waiting for the eggs to cook. When the eggs are placed into the H2O, they are delicate, but as they cook, they become hard. This procedure greatly reflects upon Hulga. Hulga uses the clip when the eggs are cooking to reconstruct her wall. This wall is the barrier that she puts between herself and others, chiefly her female parent, Mrs. Hopewell. Hulga is, in a sense, doing herself hard like the eggs. Mrs. Hopewell s name is improbably symbolic of her character s personality. The compound word, Hopewell, if broken down, literally means what it says- hope good. With everything that Mrs. Hopewell s girl, Hulga, has done in the past and does in the narrative, Mrs. Hopewell still has hope that things might alter for the best. She has dealt with her girl s negativeness for old ages, but has yet to go negative herself. Mrs. Hopewell is strongly opinionated and set in her ways, but however, she does seek to look for the good in people and state of affairss. Another object in the narrative that has a symbolic significance is the bibl vitamin E that the male child, Manley Pointer the bible salesman, carries with him throughout the narrative. The reader is led to believe that the bible is merely a regular Bible and that Manley Pointer is merely a good state male child. But this is non the instance, as is revealed tardily in the narrative. The image of the Bible is evidently related with anything pure, good, nice, or sort, and many people tend to generalise that anyone retention, reading, or talking about a bible must be of the same features. This is what happens to the characters of Mrs. Hopewell and Hulga in the narrative. They wrongfully assume, as could the reader, that Manley Pointer is a contemplation of the Bibles he is selling. More specifically it is Hulga that makes the tragic premise that Manley Pointer is an easy mark because of the connexion she makes to the Bibles. Hulga believes the bible salesman to be a na ve young person, perchance blinded by his religion to the evil- the evil being Hulga s program to score him to acquire at her mother- mousing up on him. Hulga is caught off guard nevertheless, when Manley Pointer opens his bible to uncover a flask of whisky among other things. This bend of events surprises Hulga, because when the Bible is opened, non merely are the contents of the bible open, but so is the true character of Manley Pointer the bible salesman. Therefore, the bible with the points, points related with wickedness and immorality, concealed interior, is overpowering symbolic of the image and true character of Manley Pointer. The ladder that Hulga and Manley Pointer ascent to make the loft is symbolic of the flood tide of the narrative itself. To the unsuspicious reader, it is expected that atop the ladder awaits the topographic point in which Hulga will take advantage of the bible salesman. That, nevertheless, is non what happens. Climbing the ladder takes Hulga to a topographic point from which she can non return, without the wooden leg of class. Merely as holding bad purposes and making bad workss will convey person to a point in life or a topographic point from which it is non easy to return. The ladder symbolizes the flood tide of the narrative and the journey of Hulga. It is besides slightly symbolic that Mrs. Hopewell and Mrs. Freeman were in the garden at the terminal of the narrative delving up onions when they spotted Manley Pointer go outing the barn. The adult females, at that clip, had no cognition that the bible salesman was non the good state boy they believed him to be, but merely the fact that they were delving up onions when he came out of the barn is subtly amusing. Mrs. Hopewell and Mrs. Freeman were delving up malodorous onions and Hulga had merely been had by a stinky character. Flannery O Connor s usage of symbolism in this narrative is clever. She artfully injects objects into the narrative that makes it about exciting for the reader to detect one such object. Some of the things Flannery O Connor utilizations are obvious, but others require close examination and perchance several readings to happen. Some appear to hold great narrative value, and others appear merely for amusement of the reader. This consummate usage of symbolism is one feature of Flannery O Connor that makes her a brilliant author.